MOVIE: Sunshine Cleaning (2009)
August 2, 2009

Sunshine Cleaning
2009
direction: Jeffs, C.
screenplay: Holley, M.
quickie:
A former high school queen (and her sister) start a “biological cleaning” service in an attempt to make something of her life.
general impression:
Quite good. Not too bitter, not too sweet.
lows:
A very specific Hinkle’s bathroom scene where Emily Blunt’s character Norah does a little monologue about how she does not need to be taken care of because she does this after she BURNS A HOUSE DOWN.
highs:
Amy Adams, Emily Blunt, Alan Arkin. Strong cast. Efficient use of humor. Well-wrote.
notes:
This movie had a really, really good poster. It’s the reason why I watched it. The fact that it had Emily Blunt and Amy Adams was enough to make me watch it.
I really, really find Amy Adams quite endearing to watch. She’s sweet and she has this certain depth that so many actors wish they had. She’s very charming. And then there’s Emily Blunt who has this amazing offbeat vibe about her. In a movie which relies on making the audience really feel for the character, it’s just absolutely necessary to cast the right people.
The story is simple but rather odd because crime scene clean ups aren’t really discussed very often anywhere. On top of that, we have two rather pretty girls doing this grunge work and it’s just… funny.
The better part of the movie is that it does not fixate itself on the job the women perform. It quietly integrates everything that we all deal with everyday: trying to earn money, trying to impress other people, trying to make yourself feel good and, of course, being with your family.
The flow of the film feels almost natural until it reaches that “confrontation” (in quotations because it wasn’t much of a confrontation) scene between Norah and Rose. There was something off about that conflict the writer threw in.
Otherwise, the movie just carries itself well. I recommend this to everyone (but more specifically, to the people who loved Little Miss Sunshine) because it’s such a sweet, sweet movie. Very quiet. Very cool.
FINAL RATING:
[4] out of [5]
MUSIC: Say I Am You (2005)
March 31, 2009

Say I Am You
2005
The Weepies
Like folk? You’ll like The Weepies. Say I Am You is their second album, following their first independent release Happiness (which contains the very beautiful Somebody Loved) and it is a pretty darn good collection of songs.
The album opens with three strong tracks. Very folk, very catchy. Gotta Have You is a particularly wonderful bittersweet folkish-popish song. I have to say that I’m fonder of Deb Talan’s tracks than Steve Tannen’s (like Riga Girl or Suicide Blonde).
Tracks like Painting by Chagall and Not Your Year have a tune that’s easier to appreciate. The melodies are charming to sway or sing to and Deb Talan’s voice is interesting.
I think The Weepies is a pretty strong folk band and they do manage to produce five or six songs that are likeable which safely keep them out of the self-indulgent music category. I like them.
FINAL RATING:
[3.5] out of [5]
MUSIC: This is the One (2009)
March 17, 2009

2009
UTADA
I can immediately say one thing: this might be the one.
The undeniably famous Utada Hikaru boldly ventures once more as Utada and it seems like she means it this time. This is the One sounds completely different from Exodus and for that matter, it almost sounds nothing like the JPop artist Hikki.
Of course, the album does feel familiar. The first track, On and On, sets the mood of the album the way We Fight the Blues eases you into the Heart Station. The difference, however, can be seen in the entire production. Utada is very American RnB with lyrics to match.
While Hikki sings about staying gold and celebrating, Utada is kind of flirty and bold. Perhaps Utada Hikaru realized that there is little connection with the audience if she keeps singing songs like Kremlin Dusk.
Tracks like Devil Inside have been replaced with the likes of Apple and Cinnamon. The beats are simpler (but not dumb and repetitive) and the lyrics are definitely catchier.
Automatic Part II immediately caught my attention mostly because I wanted to see how different it was from the unofficial part I. Utada clearly wants to set herself apart. She even immediately follows it with Dirty Desire and Poppin‘ to drill the idea into your head.
There is a lot of effort in this album and while Exodus has been criticized as self-indulgent, I feel the urge to call this album almost superficial. But it is an album that is aiming for the mainstream. It is pop and it is superficial. If I were to judge it as that, it succeeds. It is a good record. Fun to listen to.
With proper promotion, this album will go places Exodus couldn’t.
FINAL RATING:
[4] out of [5]
MOVIE: Good Dick (2008)
February 27, 2009

Good Dick
2008
direction: Palka, M.
screenplay: Palka, M.
quickie:
It’s a love story
general impression:
Truly beautiful
lows:
Will not generate a lot of excitement
highs:
Smart. Funny. Coherent. Pragmatic.
notes:
I took my time deciding whether or not I would go and watch this movie. Quiet and uneventful movies might seem monotonous to some but like all genres, it has a good and bad dichotomy.
Good Dick is good. It not only features a good cast playing really good characters, it is also shot nicely and pieced together quite well. It is quiet but not heavy. Marianna Palka (writer and director) didn’t set out to confuse the audience or scream an idea or theme. Instead she opts to make the movie the way movies are supposed to be made: she tells a story.
Maybe it takes a certain type of person but there’s a lot to be felt from this movie. I haven’t decided about what my stand on relationship or romance is but this movie creates a pretty little picture of it. Hope is a good drug.
FINAL RATING:
[5] out of [5]
MOVIE: The Squid and the Whale
February 23, 2009

The Squid and the Whale
2005
direction: Baumbach, N.
screenplay: Baumbach, N.
quickie:
Just a family on the verge of a breakdown. Nothing to see here.
general impression:
Quiet and peaceful with enough neurosis to complement the uneventful.
lows:
Kinda… sad.
highs:
Good acting, good story, good dialogues, good shots
notes:
There is something about size that truly iffs me. Something about being reminded of how tiny, tiny, tiny you are stirs these feelings of insignificance and melancholy that becomes very hard to shake. Thankfully, people overcome these moments and live on to face the next one.
The Squid and the Whale revolves around these feelings. In movies, it’s always these writers who suffer some form of megalomania or at the very least, denial. The family involved in the film is at the boundaries of their talent, their belief, their love and whatever other factor that pulls them away from the edge.
There is something highly emotional about the film. Or maybe, as I have always said, dysfunction just attracts me. Not because of anything else but just the belief that life and people are simply complicated. These contradictions that the characters live through make them feel like people.
FINAL RATING:
[4] out of [5]
MOVIE: 4 Months, 3 Weeks and 2 Days
February 9, 2009

4 Months, 3 Weeks and 2 Days
2008
direction: Mungiu, C.
screenplay: Mungiu, C.
quickie:
College roommates dealing with pregnancy
general impression:
Absolutely beautiful.
lows:
Scary if it reminds you of your own life. But then again, that might not be necessarily a bad thing.
highs:
Simple story delivered with focused vision. Outstanding acting.
notes:
This is the first Romanian film that I’ve watched and it all of them are as gorgeous as this one is, I might move there. OK, maybe not. But 4 Months, 3 Weeks and 2 Days is a really, really, really smart film.
Anamaria Marinca plays Otilia, a rather regular college student who is helping with her friend’s pregnancy problems. She arranges everything about termination / abortion and the camera brilliantly captures every emotion that the event draws out of the characters.
Some people might find the scenes long and boring but the long takes carry meaning. This is particularly evident in the dinner scene where you can not only observe the character but feel with them.
Of course, long takes are not the only way to produce empathy but this style just works so well for the movie. It is truly moving. The movie also makes efficient use of silence and the evening.
Perhaps it’s what makes this movie so beautiful. It knows how to use what when. It tells the story the way it needs to be told and gives the characters (cliché as it is) life and heart.
If you love your movies, this one will blow you away.
FINAL RATING:
[5] out of [5]
MOVIE: Penelope (2008)
January 5, 2009

Penelope
2008
direction: Palansky, M.
screenplay: Caveny, L.
quickie:
Fairly standard fairytale – curses, true love and inner beauty.
general impression:
entertaining.
lows:
generic.
highs:
it’s not horrible. James McAvoy.
notes:
I actually like this movie. It’s very standard and it’s very entertaining.
Of course, if you start thinking of the huge amount of chick flicks that has been produced over the years – this little movie doesn’t really stand out. It’s nothing special but at least, it’s not boring. It’s pretty funny, actually. The archetypes are played well. The twists are well planned and executed beautifully.
Penelope is mediocre fun and if you’re looking for something to pass the time, you’ll find this OK. If you’re looking for something more substantial, this one can be skipped.
FINAL RATING:
[3] out of [5]
MOVIE: The Day the Earth Stood Still (1951)
January 1, 2009

The Day the Earth Stood Still
1951
direction: Wise, R.
screenplay: North, E.
quickie:
Aliens have arrived! And we shot them for no good reason! Good thing they’re pacifists!
general impression:
Surprisingly smart.
lows:
It’s… science fiction.
highs:
Really, really smart. The misanthropes will be pleased.
notes:
After watching this movie, I wanted to just promote to everyone I know. Which I didn’t do because I don’t know a lot of people who enjoy movies.
That aside, The Day the Earth Stood Still is a great, great film. It is not cinematic genius and not particularly engaging but it illustrates what is wrong with us as a society.
The alien eloquently puts it this way “you’re letting fear get in the way of logic”
I originally was not at all interested in seeing this film because I hate science fiction and aliens aren’t really my thing. But this is not about aliens at all. It’s about us.
The alien. Klaatu, is a brilliant character. He is the kind of hero that would inspire you. He works with the problems he encounters along the way. The fun bit is that he does not contradict the things that his society or whatever stands for. It’s just brilliant how his character was written and fleshed out.
The movie is concise and moves at a great pace which makes it easy to watch despite the fact that it is decades old and is in monochrome. I highly suggest seeing this movie.
FINAL RATING:
[5] out of [5]
MOVIE: Thank You for Smoking (2005)
January 1, 2009

Thank You for Smoking
2005
direction: Reitman, J.
screenplay: Reitman, J.
quickie:
Lobbyist Nick Naylor and his magnificent talent of creating truth.
general impression:
Passionate. Hilarious. Fresh. Inspiring.
lows:
If you’re anti-smoking or a non-smoker, you probably won’t like this. Also, this obviously is not the movie to watch for people who want the truth. And this movie also defends (a little) the big industries which benefit from the little folks doing “bad” things
highs:
Effectively highlights the fact that what the big industries are doing is the same as what the “good guys” are doing. Puts a friendly face on the big industries we like to hate. Beautiful dialogues between Nick Naylor and his son. MOD Squad!
notes:
Thank You for Smoking is awesome. It’s a wonderfully written, wonderfully directed film that draws its strength from the beauty of its characterizations. Strong characters are best. I was laughing from the first five or so minutes of the movie. It’s witty and it’s highly entertaining. Aaron Eckhart was pure brilliance. Cameron Bright, who plays Eckhat’s kid, had this quality to him that is so endearing. Great comedic timing too.
It amazingly evades making the big industries assholes while at the same time avoiding the pitfall of making them too human or too decent. They’re people.
They don’t think they are absolutely right but they don’t wallow in guilt over what they do. If anything, they give a lot of credit to other people. They assume that people possess intelligence.
Jason Reitman represents not the industries but the need for people to have a choice. Because choice is a great thing to have. This is what I love about the movie. It is not because I think that it’s good for people to smoke but I think that if people wanted to, they should be able to.
Humanity and liberty. What’s better than that?
FINAL RATING:
[5] out of [5]
SPECIAL – Paramore
December 12, 2008

Artist: PARAMORE
Albums:
All We Know is Falling (2005)
RIOT! (2007)
More Information:OFFICIAL WEBSITE
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Upbeat, surprisingly positive, loud but not angry or whiny. They’re young and proving that young does not equate to stupid or green.
Admittedly, their debut album All We Know is Falling sounds less polished or perhaps less produced but it is a great album. They avoid being whiny and generic or perhaps I’m completely blinded by how catchy their songs are. Songs to keep an ear out are Let This Go, My Heart, and my personal favorite, Here We Go Again. All We Know is Falling shows off the potential the band has in terms of their music and lyrics.
RIOT! on the other hand, is better produced and the band has found comfort in their sound. It beats All We Know is Falling in terms of catchy-ness. Their hit singles Misery Business and Crush Crush Crush are the rather weak songs of the album containing too much pop and too little depth. However, all the songs eleven songs are a pleasure to listen to. Assuming you’re not initially antagonistic of this generation’s punk bands, you’ll find yourself quite amused as you listen to That’s What You Get, When it Rains and Miracle.
They are of course, not without fault. They’re young and they have so much room to grow. Right now, they’re amusing to look at because of all the potential they are showing off.
The fun part of listening to Paramore is a sense of knowing that these kids are having fun. That kind of thing is contagious.
Check them out!
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See them here:
Paramore @ LJ
Paramore @ MySpace